Usually LED lights or CFL lights tend to have a much quicker wobble and reduce that flickering effect - you still can have that problem, but if you use LED lights it’s dramatically reduced.įilmmaker: Are you fixing variations in After Effects?Ĭollier: You can fix it in After Effects. You don’t notice it with the naked eye but if you’re taking still frames you’re going to see the variations. If you use tungsten light it has some flicker and wobble in the way the light spreads out from the light bulb. I’m all about trying to get what you need without spending outrageous amounts of money on it.įilmmaker: Do you have much trouble with variations in lighting from frame to frame?Ĭollier: That actually is an issue with flickering and that’s really all about the bulbs you use for the lighting. I use three-point lighting techniques but I try and either make or find most of my gear. But it all depends on the project I am working on and what I am going for.Ī behind-the-scenes shot of an upcoming music videoįilmmaker: What are you doing for lighting?Ĭollier: It’s pretty basic, just work lights from a hardware store. For the project I’m working on now, I’m shooting a lot of it in front of a blue screen so I really don’t have to have a huge depth of field and I have good control over the lighting so I usually use a pretty low f-stop.
#Premier vs istopmotion upgrade#
I just want to upgrade what I have, because what I have seems to work really well.įilmmaker: What f stop are you usually using?Ĭollier: It really depends on the shot I’m trying to get. It’s basically the kit lens, but better put together, it’s metal, not plastic. I personally like using zoom lenses because you get multiple focal lengths and you don’t have to switch lenses for each shot.įilmmaker: What kind of lens do you want to get?Ĭollier: I want all of them! The one I’m looking at now is a higher end 28 to 135mm. I’m going to upgrade to a better zoom - the kit lens is alright, but it’s not great. I’ve been using iStopMotion for about eight years.Ĭreating Dragon’s Den animation in iStopMotion for iPadįilmmaker: What camera are you using now?Ĭollier: I’m using a Canon 7D as my main camera, and for editing I use Adobe After Effects and Premier Pro.Ĭollier: I mainly use the kit lens that came with the 7D, the 18-135mm zoom lens.
#Premier vs istopmotion plus#
Plus I’m a huge Mac geek and it’s for Macs so that was good. That’s how I found iStopMotion because I was thinking, “There’s got to be a better way to do this.” I came across iStopMotion and I was like, “W=ow, that’s pretty cool” and it seemed to do all the stuff that I wanted. I’d make little Lego animations, taking the photos off the camera and putting them into iMovie. You could recreate it with CGI, but there’s just something about using raw, physical objects to tell your story that I really enjoy.įilmmaker: What were you using when you first started?Ĭollier: I started out with a Sony digital still camera and Apple iMovie. I like stop motion in particular because I like the idea of inanimate objects coming alive. He’s also been blogging extensively on his website about his latest project, a music video for singer-songwriter Lincoln Durham.įilmmaker: What is it about stop motion that attracted you?Ĭollier: I really like having the creativity to make something look like whatever I want.
#Premier vs istopmotion software#
He hopes to attend film school some time in the future when he has built up “a little bit of a portfolio.”Ĭollier has already created animations for clients in South Korea, a band in Slovenia, and for Boinx software (the makers of iStopMotion.) He adds, “I’m kind of doing this to see if it is really a career I want to do, or if it’s just kind of a fun thing to do.”Ĭollier recently talked to us about his process and the tools he uses.
When he finished high school he decided to try his luck as a full-time freelancer. A self-taught animator, he says he was able to get into this partly because of the flexibility he gained from being homeschooled he was able to incorporate animation into the curriculum. In Cinematographers, Directors, Filmmaking, InterviewsĪt 20 years of age, Charlie Collier of Zapamation may be a young filmmaker, but he’s already got almost eight years of stop-motion experience behind him.
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